Twenty years ago, Alicia Svigals released her groundbreaking album Fidl, the first contemporary recording of the deep and ecstatic klezmer fiddle music which had been beloved across Jewish Eastern Europe for hundreds of years. In 2018 she followed up Fidl with Beregovski Suite: a project with Grammy-nominated jazz pianist Uli Geissendoerfer. Together they bring to life long-lost melodies from the early 20th-century fieldwork of Moshe Beregovski...and re-imagine them for the 21st century.
Beregovski Suite can be purchased through BANDCAMP.
Read a review here: https://newyorkmusicdaily.wordpress.com/2018/02/04/au/
In the 1930’s a Jewish scholar from the Ukraine named Moshe Beregovski set out, with eery prescience, to collect and preserve the deep and rich Jewish musical tradition around him. On what turned out to be the eve of the destruction of European Jewry, Beregovski organized expeditions to Ukrainian “shtetlekh” (small Jewish towns) and sought out the eldest singers and instrumentalists he could find, asking them to pour their collective folk knowledge into his recording horn. In this way he managed to save thousands of beautiful Jewish folk songs, klezmer dance tunes and religious melodies on wax cylinders, the medium of the day. A few years afterwards, the culture he had documented was destroyed in the Holocaust, and Beregovski himself was arrested and sent to the Gulag. He never saw his work published in his lifetime, and for decades it was thought that those precious and important recordings were gone forever as well. But in the 1980’s ethnomusicologist Mark Slobin published Beregovski’s transcriptions of his collection, and in the 1990’s, with the opening of the Soviet Union, the cylinders were unearthed in a dusty archive in Kiev. Now those long-forgotten melodies and voices are beginning to speak to us again.